The Handed Victory vs. Gnostic Struggle

One of the core distinctions between Aryan and Jewish thinking is how results are achieved and how victories are won. The Aryan idea is that material existence is inherently evil and is to be ultimately transcended with the journey being a struggle of creativity working against destructive forces. The Jewish idea is that material existence is to be manipulated to serve the Jews and this includes bribing Gentiles with perks and goy biscuits. The Gentile mindset is, in every practical sense, identical to the Jew’s, just focused on their tribe.

The Handed Victory, the Jewish Way
A hero can be called such for achieving a goal or victory via his or her own effort, struggle or Kampf. Therefore, it is no surprise that this key element is missing from many of the popular action/adventure films produced in Hollywood, a think tank of Jewish and judaized thinking. One of the main proponents of Jewish ideas in Hollywood is the Jew Steven Spielberg whose films are almost always crafted with Jewish elements in key scenes that tune the film to be completely judaized and thus ripe for consumption by the mainstream audience.

One of Spielberg’s most well known films is Raiders of the Lost Ark, which has been hailed as one of the best action/adventure films ever made and its protagonist, Indiana Jones, as one of the best screen heroes of all time. He kills “evil Nazis” so the Jews and judaized moviegoers simply love him.

The climatic scene to this film reveals all of its absurdities. Hitler and the German National Socialists, no doubt, had much interest in the spiritual and Hitler openly announced that National Socialism was, in part, a spiritual undertaking, however, there is no way that the NSDAP government would bothered in chasing Jewish relics such as the titular Ark other than to destroy them. However, Jewish writer Lawrence Kasdan penned the screenplay and Jewish actor Harrison Ford plays the main character so Jewish self-centeredness is on overdrive here. The film reaches its main event when the German archeological expedition finally opens the Jewish gold box to reveal… sand. Then, a portal seems to open up from within the Ark and a pillar of fire kills everyone except for Indiana Jones and Marion Ravenwood. This is a true Ziogasm of an ending in top Hollywood form. Nothing could be more obviously Jewish. For one, Indiana Jones simply somehow “knows” to close his eyes and thus be spared him from the ensuing pillar of fire and lightning blasts. Also, the pillar of fire is an image that Jews conceive of Yhwh. Thus, the ending to this film is Yhwh sparing one of its pawns as it wipes a group of those standing against it.

There are many ironic acknowledgements in this scene, too. For one, the pillar of fire appears to emerge from Hell, yet the soldiers seem to get cremated and then taken to the sky. Since, Judaism is purely materialist and has no concept of afterlife, it almost seems as if some Aryan Divinity intervenes in this scene and takes the soldiers up to a heavenly realm. Cremation of the dead is an Aryan custom and afterlife (transcendence of materialist existence) is a key aspect in Aryan religions. No doubt that this mixing and matching of symbolism is meant to conjure confusion as a Jew will never communicate with clarity.

After the fire clears, Indiana Jones is magically freed, having been tied to the post earlier, and then the film abruptly cuts to Washington DC where the film is quickly finished off but the story is left intentionally unresolved. As we can see, in the film’s final scenes, Indiana Jones does literally nothing, yet he’s supposed to be a hero.

Now go back earlier in the film. Go all the way back to the beginning. What you’ll find is that Indiana Jones is completely unnecessary to the film’s events! Take him out and the film will reach the same conclusion. SS Agent Toht would still have gone to Nepal, this time getting the medallion from Marion Ravenwood. With the medallion, Colonel Dietrich and Rene Belloq would have found the map room. It was Belloq’s own decision to open the Ark on the secret island and thus he would have still insisted on this and Dietrich would have agreed all the same. Lastly, Yhwh would still have incinerated all the soldiers. Indiana Jones is a useless protagonist, but a good goy. Many of Jones’s confrontations throughout the film are also based on sheer luck or the intervention of Yhwh. In the fight by the airplane, which Indiana Jones all but totally loses, comes to an abrupt end when his opponent gets diced by one of the aircraft’s propellers, a handed victory. Indiana Jones ends up escaping with the truck by driving into a town that he’s never been in before and the people hide him from his pursuers, another handed victory.

This is not limited to just the first Indiana Jones film. In Temple of Doom, a key confrontation at the end in which Indiana Jones captures one of the sacred stones is also sheer luck, the villain drops them and conveniently falls to his death, as Indiana Jones catches one, while retaining the ability to hold on and not plummet to his death. Another handed victory. In The Last Crusade, the fight on top of the tank ends with Colonel Vogel going over the cliff with the tank, but Indiana Jones somehow manages not to fall despite being on that same tank. It’s a good cliffhanger technique and many films use this device, but in this film it is never explained even after the fact. It just happened for convenience, meaning, it’s a handed victory.

Spielberg packs virtually all of his movies with this Jewish bunkum. In the finale of Jaws, Police Chief Brody shoots wildly at the oncoming shark until he finally hits the compressed air tank in its mouth for no real reason, a handed victory. In Jurassic Park, much is made about the size and earthshaking presence of the Tyrannosaurus Rex, a huge dinosaur. However, in a key scene at the film’s end when the main characters seem to be seconds away from becoming Velociraptor dinner, the T-Rex appears out of nowhere and kills both Raptors, but somehow spares the humans. Additionally, this all takes place inside of the building, meaning that the Tyrannosaur, whose steps cause tremors that can be felt before the thing is even seen, can simply sneak into a building made for humans and save the day for the good guys. Yet another handed victory.

Then there is the climatic sequence of Saving Private Ryan. This scene plays out like and extended version of Raiders of the Lost Ark’s grand finale, but with more subtle and sophisticated manipulation. The key selling point of this sequence, and in fact the whole film, is when a Waffen SS soldier kills US Army Private Mellish, a Jew. This comes as a result of a long and savage fight as each soldier tries to over take the other. At one point, Mellish draws the Hitler Youth knife that he had picked up earlier in the film. It is at this point that most Jews were probably itching to get their revenge lust satisfied, as a Jew seemed to be seconds away from killing an SS soldier with a weapon exclusive the Third Reich. However, that does not happen. Mellish is overpowered and the knife is sunk into his chest. With this scene, the film attempts to convince the audience that this is not Jewish revenge porn, but a brutal and honest picture of the ruthlessness and unpredictability of war.

While the film does in fact seem to steer clear of the revenge motif, it does not do so entirely and it is still contrived in a way that only a Jewish or judaized mind could approve of. The main reason being that this final battle is essentially won by the Germans. The Wehrmacht takes control of the battlefield by using approaches from several different sides and either overtakes or destroys any and every defensive emplacement that the US Army managed to have set up. With their sniper and spotter gone, their machine gunners dead, and remaining ammunition low, the Americans cross the bridge that they are defending and put in one last attempt to stop the Germans’ advance by blowing it up. And guess what? This also fails. The German Tiger tank that is approaching the Americans’ position fires a shell and the American position and this causes Captain Miller to lose the detonator for the explosives rigged under the bridge. Miller is then himself wounded by a rifle shot and finds himself in the path of the tank rolling inexorably forward over a now undefended bridge, but then… the tank is destroyed! American planes appear out of nowhere, along with an entire American Army unit, and the Wehrmacht promptly retreats. It’s another handed victory.

There are also some interesting smaller details throughout this sequence. One, the German soldier who shoots Captain Miller is the same soldier that is spared execution after Miller’s unit captured a German machine gun position from earlier in the film. This soldier, dubbed “Steamboat Willy” by the Americans, is then executed by Upham, one of two survivors of the original group of protagonists. Upham had previously demonstrated overwhelming cowardice, but now is shown to be “brave” by executing an unarmed soldier who had just surrendered, but hey it’s ok, since he killed and “evil Nazi.” Steamboat Willy is shown wearing Wehrmacht Heer insignia, however, in this climatic sequence is key shot that clearly compares him, and by extension all German soldiers, to be ruthless killers deserving of death. Previously in the battle, just after the Tiger tank fired causing Captain Miller to lose the detonator, it started to proceed across the bridge and then the film cuts to an clever over the shoulder shot of Steamboat Willy as he first shoots a running US soldier in the back and then shoots and wounds Miller who falls hopelessly in front of the oncoming tank. The camera angle used for this is the same as one used in Spielberg’s previous Zionist propaganda piece Schindler’s List, of when SS Captain Amon Goeth shoots the internees at Plaszów Labor Camp from the balcony of his quarters. Thus, Spielberg compares these two soldiers and says, “they’re all the same.” The first absurdity being that it has been proven that Amon Goeth could not have fired from his quarters’ balcony as depicted due to the layout and geography of the camp. The second is that by the time that Steamboat Willy shoots the retreating American in the back, all of the Americans had previously been shown being killed in battle or retreating across the bridge, thus it is also a logical impossibility placed within the film’s events. Lies upon lies within lies and playing off of other lies, this is how Jews communicate.

Just like in Raiders of the Lost Ark, the ending sequence to Saving Private Ryan would have been negligibly different if the main characters were taken out from it. The Wehrmacht would have still entered the town as they do in the film and the American army would have still showed up and the result would have been a slightly different played put battle, but with aerial superiority the US Army would have still more than likely forced the Germans into retreat as happens in the film. In Jewish films, heroes don’t exist, main characters mean next to nothing, and Yhwh dictates their fate.

The ideas of Struggle and Kampf represent real and meaningful effort and work. They permeate the Aryan Worldview and from this National Socialism bloomed – a society based on work for higher ideals.

A Jewish worldview skips the work aspect and tries to get directly to the results. It was from this that concepts such as usury, making money from money; and the golem, getting a mindless robot to do the required work, were created. When the Jewish worldview is applied to a story arc where Struggle and Kampf would normally exists, we get the absurdities previously mentioned. Judeo-Christianity is also another product of this as it says that its adherents “can be saved by their faith alone.” With this, the idea of emulating the life of Christ and actually living according to His values is done away with. Adherents to the faith simply believe and that’s it, very few are actually connected with the message that Christ originally passed on to people. The same thing can be said for neo-Nazis who make no attempt to delve into the work, life and words of Hitler, but rather they just believe him to be a messiah for the imperiled “White Race.” Ironically, this bogus messianic viewpoint makes neo-Nazis a lot like Jews and totally unlike Aryanists and the original National Socialists from Germany. Neo-Nazis are nothing more than golems with swastikas stickers slapped on.

Gnostic Struggle, The Aryan Way
A hero can be called such for achieving a goal or victory via his or her own effort, struggle or Kampf. This is one of the central pillar or Aryan storytelling and myth, and the main pillar in an Aryan society – results through work, which is embodied in the mythical Golden Age of Neolithic Farmers. This idea has seen limited honest transposition into the field of storytelling and a number of those works have been examined on this blog. Not surprisingly, many of the Aryan themed films examined have been box office flops since they contain ideas that the mainstream audience has been programmed against.

One of the best, and also more successful in the mainstream, of these films is The Return of the King, the conclusion to the epic trilogy, The Lord of the Rings. The trilogy has been previously examined in full on this blog, so only a key sequence will be reviewed here. The most telling of these vital points is the conclusion, which runs in stark contrast to the mainstream in that the main characters receive not one shred of luck in their struggle. Tolkien structured the story to make each incident of luck balanced out with misfortune or even to make the previous lucky moment become negligible. In struggle, we can only rely on ourselves.

This idea is very apparent in the finale to The Return of the King. In his fight with Gollum, Frodo appears to have a rare bit of good luck when he happens to be able to roll Gollum off of a cliff. This moment comes unexpected, but only proves temporarily fortunate as Shelob soon sneaks up on Frodo and subdues him. Sam’s ensuing fight with Shelob plays out unlike the confrontations in judaized film. For one, Sam victory is clearly due to clever tactics and it is also remarkably not sensationalized. The hideous Shelob is not even killed, rather just wounded and frightened into retreat. In Indiana Jones’s fight by the plane in Raiders of the Lost Ark, Jones’s “evil Nazi” opponent essentially won the fight and then was letting Jones stand up to continue the duel (an honorable gesture, at that), but, as Jones’s luck would have it, Yhwh appeared out of nowhere and hacked him up in a sensational and bloody death. Shelob’s defeat is nothing like this, because here the Aryan Sam honorably lets the wounded Shelob decide if she wants to continue the fight, then seeing that the fight is over, he removes his opponent from the arena and claims victory.

Later, on the final ascent into Mount Doom, Frodo’s previous luck in his fight with Gollum proves worthless. Gollum reappears in full force to fight and is only defeated when Frodo actually intentionally pushes him into the volcanic belly of Mount Doom. By this point Frodo had already lost a finger, not to mention nearly losing his sanity. Frodo briefly becomes possessed by the Ring of Power and even puts it on, however, his momentary descent into its corruption (after having resisted it for the entire journey) is in no way as relentlessly potent as Gollum’s fanaticism for the golden idol (which has been feeding and driving him for centuries), and thus Frodo’s loss of a finger and therefore removal from its control over him is hardly luck, but a logical outcome of events. In the moments prior to losing his finger, Frodo had been overcome by its spell and was moving to kill Sam who had told him to dump it onto the molten flow. Anyone who is under the power of the Ring cares for nothing but the Ring, and thus Gollum predictably catches Frodo off guard.

Now, Frodo has literally been to Hell and back. He is changed forever as are all characters who come under the Ring’s power. Boromir died because of it, as did Isildur before him. Frodo, as we later see later ascends to Arhat, Foe Destroyer, and so his brush with the Ring doesn’t overtake him completely. Additionally, Frodo has a loyal comrade with him and this relationship soon proves essential for completion of their task. Sam is able to save Frodo from falling into the mountains bowels, but not by simply grabbing him and pulling him up, as even this remains a joint effort. However, even this doesn’t prove enough for a happy ending. There truly are no freebies here. This story doesn’t simply cut to a comfortable end. The painstaking escape from erupting Mount Doom is shown in its entirety. The film even cuts to black several times during this drawn out sequence as if appearing to prepare to fade in on a feel good ending, but no, it keeps going until finally, other comrades extract the two Hobbit heroes from Mordor. There is no luck, just effective teamwork and camaraderie. This ending practically a satire of the mainstream film endings previously mentioned, as well as a ridicule of the entire Lone Wolf Archetype.

In the end one thing may be clearly defined: Heroes are measured by what they do.

This also means that a hero can be anyone. A hero can be a former enforcer of Zionist power who turned to defiance and revolution, such as John Preston from Equilibrium. A hero can be a small town farmer who realizes a great task requires completion and he thus volunteers for the job, such as Frodo Baggins in The Lord of the Rings. A hero can be the daughter of ship captain who rejects offers to become a privateer for a slave driving empire, such as Morgan Adams in Cutthroat Island. A hero can be an unemployed drifter who stumbles upon the truth about the corruption in society and decides to become a defiant and a revolutionary, such as Nada in They Live. A hero can be a princess who serves her folk and rallies them in times of danger, such as Nausicaä in Nausicaä of the Valley of Wind.

John Preston. Frodo Baggins. Captain Morgan Adams.
Nada. Princess Nausicaä.

Heroes can come from all walks of life. A hero can be a former assassin for a corrupt government agency who is now turned in defiance against her past employer who is staging a false flag terrorist attack, such as Samantha Caine. A hero can be the private detective who had helped Samantha Caine recover her memory, but then didn’t leave when the situation truly turned dangerous after a conspiracy was uncovered, such as Mitch Hennessy from The Long Kiss Goodnight.

Mitch Hennessy. Samantha Caine.

In religion this is emulated via actually following in the examples of the prophets and not by merely believing in them or that their deeds were the best example of good. In Christianity, the prophet Jesus Christ was a carpenter who inspired people to turn against the manipulative and usurious Pharisees, who promptly started a campaign of defamation ending in Christ’s public execution. However, Christ’s campaign was ultimately successful and resulted in a new text, the Bible, a condemnation of Jewish thinking.

In Islam, the prophet Mohammed realizing the decay that had over time permeated Christ’s teachings, took it upon himself to re-introduce them in a pure form and moving forward from there, which resulted in the Koran, a text emphasizing not just the importance of honest work (Islamic banking to this day shuns usury), but also stressing the necessary discipline and militarism needed to keep effective. Not surprisingly, the most prominent anti-Islamic propagandists are Zionists and their neo-Nazi golems.

In Buddhism, which developed separately from Christianity and Islam, but also started at the same root: a shunning of materialism. However, here it was a Hindu prince born into endless luxury who saw the dangerous imbalance that such excess causes on a society. Thus, he went on a journey, both spiritual and physical, and brought into the world what is now the Buddhist philosophy, which stresses the universal inter-connectivity between all living things and calls for harmony. Buddhism openly uses the Swastika to symbolize this core idea and it was for this very reason that Adolf Hitler adopted it for his social and political movement.

The Swastika is a symbol of universal light and eternal knowledge, and is thus present is many cultures across the world. The Swastika represents the Sun, our planet’s main energy source, and was thus appropriately placed on a flag by Hitler to be hoisted up to be seen by all. The Swastika represents productivity and the time of day, a time when plants grow, when the fields are tilled, when most people work, and world is in clear view.

Virtually all of these ideas are, in some way, discussed or shown in both the original books and film adaptations of The Lord of the Rings. Other films that have been discussed on this blog also communicate Aryan ideas. However, these films will not determine whether or not a viewer sees Aryanism, but Aryanism will determine how the viewer sees the films.

Humor Nazis – 1

A new cartoon series.

Episode #1: Juice

Mr. Rattenaser should have listened more carefully.

Swastika Sightings

The World’s most universal symbol. Ironically, it was in a country from which the symbol was a largely absent for most of its history that a coherent, radicalist movement inspired by it was mobilized. Here are examples of the Swastika, past and present, in places where one might not expect to see it.

The Boreyko coat of arms.It was used by several noble families from the Polish-Lithuanian Commonwealth.

Traditional Slavic embroidery.

The Swarzyca, a Slavic variant on the symbol,
on the side of an old church and former pagan holy site.

Miscellaneous brick and tile patterns.

On a Buddhist temple.

Many Swastikas on a railing.A very common sight in Seoul, South Korea.

Lastly, graffiti on a New York City subway.

Hitler would not approve of vandalism, but he would certainly approve of the public infrastructure. He would also make sure that it is kept in better shape than New York City’s creaking metal tubes.

It’s a dark and dreary world out there. Grasp the Swastika and provide your own Light.

Communication in Aesthetics – Part II and Beyond

Aesthetics of Civilization
When we go above and beyond the body, the spirit, the state, and the symbols we use, there we can see how all of those elements interact and compliment each other. This is a grand scale of aesthetics – the Aesthetics of Civilization. This level will be reached when at least one state has become fully Aryanized as well as secured its existence. Right now, such a goal is still far ahead, but it can be glimpsed at nonetheless.

We live in a civilization that dwells wastefully in shapeless urban sprawls. The solution to cleaning up our environment is not just cleaning up city streets and reducing industrial pollution. The solution is the reducing of the factors that cause these things in the first place – this means a radical reshaping and restructuring of our civilization. Like an uncultivated garden overgrown with weeds, we have almost completely lost our sense of grand aesthetic. This has resulted in the biggest mess that this planet has ever seen, but no one sees this mess, since this mess is us. It’s our cities, it’s our industry, it’s our artificial nation states. Growth has turned into a shapeless, amoral, aimless process due to our debt-based economical system. A bank makes money by issuing debt in the form of fiat currency. With profit being the only motivating factor, it works well for the bank and bankers can issue as much debt as possible and thus collect as many dues as they can. From time to time these loans do not perform and from time to time these non-performing loans add up and a crisis occurs, an economic crunch – this is cynically called “the business cycle.”

The ludicrous assumption that we have all been force fed here is that something as artificial as money (a wholly human creation) is as uncontrollable as the weather. It is only a lie that has been crafted and tuned over the years so as to be perceived as such.

Consider the functions and purpose of a power plant. As human settlements grew, it became unfeasible for each household to generate its own power and thus the modern electrical grid was formed and, over the course of decades, brought to the state in which it is now. A modern city can supply power very reliably (albeit, uncleanly) to its residents. The power output is monitored so that the amount that goes out is as close as possible to what is needed. A sudden surge or a sudden lack of power would be at least very troublesome, if not out right dangerous. Thus, skilled and knowledgeable people are needed to watch over and design these grids. They determine where the power should go and what kind of wires or cables are needed. Simply put, the distribution of power can be laid out very systematically and thus be made to work very logically and reliably.

In the National Socialist view, a bank is simply an economic power plant. Money, like electrical power, is a means to an end. It needs to power something, otherwise it’s simply not needed. This does not mean that it will all of a sudden be hard to find uses for money. Not at all. Bakers make fresh bread everyday and people buy this bread. Roads and public works need constant inspection and upkeep and the workers and engineers need to be paid. Additionally, there are times when entirely new projects and innovations are undertaken, such as new building complex or roadway, or the development of new technological designs, and these all need funding. Essentially, money flows everyday, nearly all the time.

The question is: how do we make it flow in way most purposeful for a folk?

Aesthetics of Administration
The false left/right paradigm can be seen in today’s two largest economic powers. First, we have Capitalism and the libertarians’ beloved “free market” and democracy, which just becomes oligarchic and Marxist elements, like weeds, grow into it over time. This can be seen in today’s United States in which six corporations own 90% of all media and a few big banks control 100% of the finances. After a financial crisis that came about from intrinsic errors in the system, it is these huge institutions that received the “bailout” and the system will be sustained until the next bailout will be needed and so and so forth. By default, the top corporations in the United States are like the huge state owned companies in the former USSR. On paper they may be different, but in function, and thus in underlying reality, they are the same. Every major political party in the USA supports this system. Their minor arbitrary differences mean nothing.

Second, we have Communism and the mainstream left’s idea of a “worker’s paradise,” which just becomes oligarchic and Capitalist elements, like weeds, grow into it over time. This can be seen in today’s China in which the Communist ideal is preached by the state, but is far removed from actual function and large corporations, just like in the United States, are in bed with the current government and run the nation. After a financial crisis it is these institutions that receive “bailout” money (courtesy of the central bank) and the system will be sustained until the next bailout will be needed. The USSR managed this for about seventy years before collapsing and thus, not much better can be foreseen for the USA, China and also for the EU.

These two systems both yield to “centrism” for the sake of having the broadest appeal and thus the longest survivability. They will wage wars, abandon their own people to die, spill waste, lie about each other and manipulate just about anything that can be in some way be manipulated just so that they can survive, since all that matters is the digits adding up on their central bank’s balance sheets. Note that the New York Stock Exchange building in New York City has been built to resemble the front of the Greek Pantheon, but the only deity worshipped there is the usurious demon Yahweh.

The radical alternative is National Socialism, which features state controlled, labor backed money issued according to amount of economic processes. A tax may be temporarily issued to siphon back some currency to prevent inflation. If the economy grows, more money may be issued as needed, but only for the purposes of productive labor. The economy is not centrally planned, but rather, it is centrally directed in a way analogous to a conductor leading an orchestra with each individual musician playing their own instrument and producing their own part of the composition.

National Socialism is only true and genuinely radical alternative that can uproot the current system and plant a new seed. However, National Socialism goes far beyond being an alternative political and social program, it is an entirely new Worldview. There are traces in our past that strongly suggest the human desire for something greater than bestial existence, but these have become muddled with mass consumerism and the resulting waste. Let’s take a look into the past, at our own traces of Original Nobility, before we go forward. Afterall, Arya is first a step back before the new journey forward can begin.

Aesthetics from the Past
Left and Right systems produce a shapeless sprawl and this can be readily observed in the major cities currently under Capitalist and Marxist administration. This goes double for their more recent 20^th century additions.

In spite of this, Aryanism has always existed in sporadic traces. Some of this is genuine Aryanism, but most of it is simply the incidental result of crude natural processes. For Aryanism to take a hold in the real world must be product of genuine will power.

A solid past example of nascent Aryanism can be seen in the star fort constructions of Old Europe.

These old towns, many of which exist only in old documents today, are precise creations and finite environments that are in stark contrast to the massive and overflowing urban sprawls of today. Such cities can only be the product of a people whose will was united in their calculated constructions. They come from a time when people lived and breathed the art and culture of the day. It was a time when each person participated in their town’s music festival and to this day folk music only feels right when it is being performed and not just watched – it is collaborative and team-spirited art and thus worthy of the word “folk.”

Today’s art lends itself to voyeurism and absurdly convoluted “interpretations” as well as sheer desecrations of classic art. Cities and towns are much the same: shapeless, juiceless, lifeless and stand as ends by themselves. All transcendent quality is gone and the only thing that matters is some form of immediate self-satisfaction to the artist or to the audience. The music video is perhaps the best example of this: sexed up models dance to a beat driven by vulgar lyrics and these products are then sold by corporations to the masses. People have lost touch with the energy that moves their world and thus have lost, or failed to develop, mastery over it.

In the times of Old Europe, when the aforementioned star forts were created, population numbers were routinely culled by crude natural processes. Mainly, these were disease and high infant mortality. Only the strong survived. While man mastered the fight against disease (in some parts of the world) he neglected to see the ensuing problem: excess. Not just of material goods that came with the industrial and scientific revolution, but he failed to see himself as being part of that excess. Population exploded and spilled all over the place. Beautifully constructed classic towns and cities were buried in a mass of lifeless kitsch, like weeds burying a neglected garden.

National Socialism recognized this and just as man mastered the fight against disease, he was going to master his will and himself. However, by that point materialism and mass consumerism had grown to such monstrous proportions that they quickly perceived and dealt with the greatest threat to their existence, which was National Socialism and Aryan thinking. Today, everything, including people, continues to be produced in a mass scale that as purposeless as it is volatile. Reining in this beast can only be the feat of an Aryan Will.

However, I sense a deep irony here. Whether it will be through an apocalyptic “Seven Days of Fire” scenario as seen in Nausicaa of the Valley of the Wind or through sheer willpower, Aryanism is one of two ultimate possibilities. The question is, will we get there via exhausting every other option as we have almost always done in the past? Or will we get there by recognizing the genius of National Socialism and the Power of the Will? The latter will mean that we will finally transcend our bestial existence and become something much greater. The other ultimate possibility is simple: self-annihilation. Shall we avoid an apocalyptic calamity? Or shall we just merely count on surviving it? Such a scenario may, just may, end with a small group of Aryanist survivors, but don’t count on it. There is no fate, only what we make and creation, first and foremost, takes willpower. Good things have never just happened, they have always been made.

The Grandest of Star Forts
There is still one star fort left to construct. Or to put it another way, there is one “fort among the stars” that has yet to be built. It is a finite eco-system, albeit a very big one, but still demands rational approach and frugality for it to reach its most magnificent state.

It is our very own planet Earth.

This is our Garden, our Star Fort. We must master the cultivation of our own civilization. It is through this highest form of art that we will transcend material existence.

Communication in Aesthetics – Part I

Aesthetics are a form of communication. Arguably, they are the first things to be a source of continuous communication long before the information superhighway with all its radio waves, television programs and phone calls was topped off with the Internet. The concept of aesthetics permeates the World both in both material and metaphysical forms. Aryan aesthetics serve a purpose, either practical or spiritual, but more often than now, both at the same time in one design. This idea is best illustrated by nothing other than the Swastika.

Radiance of the Swastika
The Swastika has a sophisticated duality to it, while retaining an effective uniformity. The Swastika is drawn in one color, symbolizing uniformity, but it also contains a simple duality, which can be read in anyway one wishes. This, however, is only a simple, surface reading of this most hypnotic symbol.

The Swastika is a cross symbol and this gives it another dimension. The simple reading here would be: left & right and up & down. A more sophisticated, and truer, reading would be: Horizontal and Vertical, thus the complete transcendence of simplistic dichotomies. One axis goes up, the other goes across, and then they both hook off to the side and cycle for they are eternal and function in unity.

Now apply this idea to a male and female. They are not sides of a duality, but interlocking axes that function in unity. One is nothing without the other, but they are not so simple as to be opposite halves. Each one has a base drive, or in this case the horizontal, which is preoccupied with basic material needs and desires. However, each one also possesses a higher functioning drive, or in this case the vertical, which is driven by genuine compassion. The simple act of holding hands on the horizontal axis is a basic fulfillment of the desire for physical contact. On the vertical axis there is the compassion, the fact they each holds the other’s hand, because the other wants them too. Compassion is reassuring the other before oneself. One is not happy unless the other is too and they both work to achieve this happiness, since each is part of something greater – the process of Life.

Now apply this idea to labor and management. These elements also function in unity as interlocking axes. Laborers perform the groundwork, are expected perform to a good standard, and thus there is tangible progress. This is the horizontal axis. Management equips the workers, and is expected to do so to a good standard, determines the work to be done, and thus there is progress in concepts that the workers then realize. This is the vertical axis. One cannot function well if the other isn’t also, since each is part of something greater – the process of the State.

The Swastika is the simplest radical form of the Aryanism. It is the essence of a complex symmetry and of genuine transcendence. Above all, the Swastika does not point, it radiates.

Aesthetics of the Body
The body is the most basic Aryan uniform. Like all other uniforms from under a shared banner, it may vary in color, size, shape and other specifics. As with Aryan motto, Unity Through Nobility, the key is to note what the uniforms share, rather than split hairs over differences.

The Aryan body is healthy, meaning it is used to a steady workload, used to walking, and with a good level of stamina. This contrasts with a body being fit, meaning conditioned for intense strains in short bursts under laboratory-type conditions. Once those conditions are abandoned, the performance level drops dramatically and is unreliable.

The Aryan body is clean, meaning it has no tattoos, no piercings or other alien elements and imported decor to display vanity, such as jewelry. The contrasts here have been made obvious.

Worn over, and functioning in conjunction with, the body are clothes. Like the body, they are kept simple and effective and made to last. One of the most obvious, and most stereotypical, examples of National Socialist attire are jackboots. The term “jack booted thugs” comes from anti-NS propaganda. Now, why did SS men like their boots so much? Simple answer: they made for walking and they last. Today there are many equivalents: motorcycle boots, cowboy boots, even outdoors/hiking shoes. Anything made for continuous performance.

The clothes Aryans wear certainly have their individualities, in color, size, shape and other specifics, such as honors earned, but all are clearly from under the same banner.

Regardless of the current duty they are performing, the unit each one is assigned to, the people under their command, the honors each one has earned for their services, or the rank on each one’s collar – the spirit of the team is what each one feels and this is what binds them. There is no scramble up the corporate ladder for a higher paycheck of debt issue currency, there are no proxies planted so that prestige may be perceived. There is only the shared struggle to perform honest work and the will to cooperate.

Aesthetics of the Spirit
Habits, or acting out of one’s beliefs, come to form the core of spirit. Society is built from individuals and thus the overall quality of the individual spirits will have a defining effect on the quality of society. Aryanism seeks to inspire the formation of a frugal society. A society that is a total contrast to today’s decadence and drudgery that is built on excess and degenerates down to waste. The idea of simple, effective clothing and a clean body are the surface of this more complex aspect.

This core spiritual idea is the center of the Swastika, whose axes expand then hook at a perfect angle and, once again, extend for the same length before halting. The Swastika that Hitler designed will always fit perfectly on a 5×5 grid. It has both expansion and restraint, thus it is the symbol for transcendence of false dichotomies. In today’s society, it is a norm to amass as much as possible and then trash what is not needed. With this, the creating of materials and energy is a purpose unto itself with everything else just being the tying up of loose ends. In the Aryan model for society, it will be the norm to create as much as is needed for a specific purpose and achieve optimal creation and consumption; in other words, to have expansion and restraint. With this, order will be formed from the present grey mass of chaos and the entire material aspect of society will only be a means to an end.

The contrast this kind of mentality is the mindset and worldview of someone like Patrick Bateman from American Psycho. Bateman is so obsessive about his superficial appearance that his entire morning routine is a careful application of his specially selected expensive soaps, shampoos, deodorants, and other cosmetic substances. He buys as much as he can and as expensive as he can. He eats at the most expensive restaurants and never at home. This gluttonous consumption is all an indicator of status. Once examined rationally, Patrick Bateman is a total slave to his habits and would be unable to live in society of frugality where individuals take responsibility to supply themselves and their folk. Patrick Bateman lives in a world where as much service as possible is directed towards him. Aryans live in a society where as much service as possible is directed at the folk.

In fact, indulgence, or the awarding of unearned goods, is self-deception. Indulgence is a proxy for something that’s not even there! Thus, it fits right into the spectrum of FIAT currency, materialism, self-righteousness and the whole spectrum of Jewish thinking.

Aesthetics of the State
A frugal and disciplined society will build a State in its reflection. Again, the Swastika serves as the perfect example. From the center, the two axes each extend in two directions before each hooks off in opposite directions at either end, and comes to a stop after an extension identical to the last to make the Swastika. On the National Socialist flag this is the simplest radical form of Aryanism not just for its geometrically ideal construction, but also for how it fits into its surroundings. The Swastika is in an equilibrium with its surrounding, not taking up more space that it needs, though as we can see in the flag, it can be much bigger. However, as far as the flag is concerned, it is not just the Swastika that matters, but the entire image with white circle and red field included. These background elements are not to be taken for granted as they function just as importantly in the whole composition as does the Swastika.

In an Aryan State, the Leader, who is in the foreground and representing the State, is just as vital as the government and the folk – Swastika, circle, field – all work together at all times, no exceptions. Folkism is the team spirit of society.

In architecture, this too applies. Every stone, every tile, every wooden beam and steel girder does its part to create something greater than and beyond itself.

Rothenburg ob der Tauber, Bavaria, Germany

Whether it is an example from the real world or from myth, Aryanism is very much alive.

Minas Tirith, Gondor, Middle Earth

Aesthetics of Symbols
As we have seen, the Swastika is the simplest radical form of Aryanism. It symbolizes knowledge and honor. It contains both expansion and restraint. It transcends any false dichotomy. It was placed on a flag design by Hitler in such a way that it perfectly fits with its environment; three different shapes, three different colors all contrast yet work together with not a bit wasted. Note, that the Swastika flag with the off-center disc was created later for flags that were hoisted on poles and masts. Due to the flags’ fluttering, the off-center disc (closer to mast side) was necessary to keep the originally intended impression. In other words, a new design was made to work in a new set of circumstances.

Another important symbol is the Hagal Rune, which symbolized a realm of protection and care. It can be seen here as the insignia of the 6th SS Mountain Division “Nord” and as the contemporary icon of Emergency Medical Service units, the Star of Life.

The Jewish hexagram icon is merely a bloated version of this symbol. While the Hagal rune and the contemporary Star of Life variant are lean in shape and have an aura of transcendence, both expansion and restraint, thus linking them Aryanism, the Jewish hexagram is expanded and inflated suggesting a desire for dominance and stressing the use of appearances as a tactic. The flag of the British Empire can also be seen to be a bloated Hagal rune and this particular flag is world’s most infamous symbol of empire, colonialism, slavery, domination and exploitation. The current main banner of Zionism, the flag of Israel, is also themed in dominance, since the two blue stripes on it, one along the top, the other along the bottom, symbolize two rivers – the Nile and the Euphrates – the postulated borders of the heart of worldwide Zion. Thus, the Zionist flag is a just a crude map, a symbol of containment, of elitism, exclusive access and deception.

Like-minded symbols, include the Soviet Hammer and Sickle – tools of basic labor – and the Masonic Square and Compass – tools of calculation. Both symbols are purely materialistic and any group that has them as its banner is motivated by labor for the sake of labor, or drudgery. There is a definite lack of greater purpose, idealism and transcendence.

This is precisely what Hitler avoided when designing a flag for the Third Reich. Certain departments within the NS Reich had apparently materialist symbols, e.g. the Reich Labor Service, but each logo also contained a Swastika. The Sun was always there, since the constant motivation what to achieve a greater goal.

Power vs. Will
How this is all put together and employed determines the results generated. For those who want to work with manipulation, the previously mentioned icons – Soviet, Masonic, Jewish – will serve your goals. For those who want to wield power: strap on the boots, snap those heels together, and whip out that salute to the symbol of power.

However…

There are those who see that fasces need to be artificially bound together, a binding without which they will fall loose. Fascism is, at best, a prison system. It is a sense of discipline for the sake of discipline itself, meaning a raw form not yet applied to any useful purpose. In a prison holding those who have broken society’s laws and must now prove that they can still abide by them, this kind of crudeness may very well work. But it is not suited for an Aryan State.

A free state cannot have its people bound and tied into “loyal” following. The people must be there out of their own will and it must be that, which holds them together and – critically – it must be that which drives them forward. For those who want to embrace the full potential of the will – strap on those boots, snap those heels, extend that salute, and become the power!

Wall-E: The Realizing of Purpose

After a stretch of horror and subversion, it is now time for some positivism. Surprisingly, this comes from the Pixar film, Wall-E, but it is true: a big budget, American production house (that is owned by Jew dominated Disney), has created a quite remarkable children’s film with a story arc that has many elements of Aryanism and even some not so subtle references to National Socialism.

Living In Desolation
The story begins with Earth in a state of total desolation. The buildings are wrecked, there is trash strew about, and everything just sits lifelessly and slips ever further into decay. The Buy n’ Large company logo is visible in many places and on many objects and it is also in a state of erosion. This set-up strongly resembles the fall of an empire with its banner now as decrepit as its ruins. The Buy n’ Large was a worldwide corporate monopoly that produced everything that human consumed, but then it collapsed under its own weight and excesses leaving behind a trash covered Earth. Amidst all of the refuse we can make out that some of the “buildings” are really carefully piled trash heaps made from cubes.

This is the work of Wall-E (Waste Allocation Load Lifter – Earth Class), a BnL robot meant to clean up BnL’s mess. He was once part of a huge fleet that was certain to succeed in its mission while Earth’s population vacationed on a BnL sponsored holiday on the Axiom, a huge spaceship. However, something went wrong and only one “Wall-E” is left. He is dutiful, but stuck in desolation.

Wall-E’s daily routine consists of making endless cubes of trash and organizing them into neat piles. A seemingly futile task that is occasionally accentuated by surprise when Wall-E finds something amidst the trash. Usually this is nothing too exciting, though there are several hints to Wall-E’s quality of character in addition to his sense of duty. One day he discovers a cockroach and befriends it and even lets it live in a corner of his improvised home. In this shelter, Wall-E has collected various objects and seems to have catalogged them in a makeshift archive space. This strongly suggests that he his trying to make greater sense of his existence. Also in this archive, he has spare parts for self-maintenance and self-repair. Part of Wall-E’s daily routine is recharging himself by basking in the sun with his solar panels extended. With all of this considered, Wall-E seems to be more of a metaphor than just a straightforward robot; he is self-reliant and self-sufficient, dutiful and persistent, and he also shows a concern for caring for others, namely his new roach friend.

This idea goes to the next level when Wall-E dicovers something that he has never seen before, a plant. It is one, tiny little stem with miniscule leaves and unmistakably green. Wall-E is dazzled by it, baffled by it, and fascinated all at the same time. He has never seen anything like it.

Wall-E’s solar powered system is a mirror of the plant, which is solar powered life. What’s more is that Wall-E puts his new find into a work boot. A plant – symbolizing life – is now in a work boot – symbolizing labor and productivity – it is a bit of hope from amidst all the desolation. Additionally, when the plant first appeared, it was obscuring a BnL corporate logo in the background. The symbolism is unmistakably Aryan.

The Other Half
Things change dramatically for Wall-E with the arrival of another robot. This new machine seems to be radically advanced (it flies and has some strong firepower), equally persistent as Wall-E, but it doesn’t share his friendliness. Rather, it goes from place to place searching for something and ignoring Wall-E who is as fascinated with it as he was with the plant. Wall-E eventually wins the trust of the new robot, named EVE, when he saves her from a sudden sandstorm. The relationship between Wall-E and EVE starts as a straighforward “boy trying to woo the girl” story, but soon takes a much different path.

Like Wall-E, EVE is a metaphor and not a literal robot. She is shaped and colored like an egg (spawner of life) and, as it turns out, EVE is an Extraterrestial Vegetation Evaluator robot. The target of her search was evidence of life on Earth. When Wall-E shows her the plant and boot that he had gathered, she scans them like everyhting else, but now the light that had been flashing red with each previous reading flashes green, just before a bigger green light appears and begins to pulse in a rhythm akin to a heart beat.

Male and Female with Life and Work between them.

This new green light has a plant icon in the the middle. The light is placed right above EVE’s heart given that she has a very basic anthropomorphic structure. This location is only part of its symbolism, the other half is the design of the symbol itself. It appears below at left.

At right we have the logo of the Reichsarbeitdienst, or the Reich Labor Service, a workers’ organization that operated under NSDAP guidance in Germany. This is the final connection. Between Wall-E and EVE, the boot and the plant, there is a metaphoric scenario for the start of an Aryan settlement amidst the desolation of Earth. However, we soon see that discovery is not enough, since upon finding this harmony, EVE’s programming goes into effect: she takes the plant, hides it inside herself and goes idle with that one green light flashing.

Unbeknowst to EVE, her progress was being monitored, and when she finally found the pieces to the Aryan puzzle, of which she herself was a part, she get’s locked away along with her findings, which leaves the other remaining elements of Aryanism separated and seemingly hopeless. In effect, sinister forces have let these elements meet so that they could then separate for good. It was a ruse. Thus, we see that discovery of Aryanism is not enough. Struggle, no matter how benign the scene may seem, will be essential.

Taking the Reins
The same space craft that initially dropped off EVE now comes to pick her up. Wall-E manages to grab onto the the rocket that eventually ends up at the Axiom, the ship containing the remainder of Earth population. The step to be taken here is key. Though, it only makes the situation seem even more hopeless, but it is a step that must be taken. The Axiom is comprised of two parts. One is run by robots that move along predrawn lines and take care of everything with the most impeccable, mechancal precision. The second is populated by humans that the robots serve. These humans are morbidly obese and cannot even move on their own. They are permanently sitting in hover chairs (that travel along predetermined lines) and press buttons to receive service in the form of engineered food or on screen entertainment. These humans do not even communicate with each other face to face, but only through computer screen interaction. The ship is one large vacation cruise with the humans reduced down to the most basic (and pathetic) desire: a want for good food. Even their clothes are engineered to change color with the press of a button so that they don’t have to waste time shopping, but can just sit on their hover chair/computer/prison bubble. Of course, they only change the color of their clothes (all in unison) when an announcement shouts out a consumerist slogan: “Blue is the new red!” The slaves obey and press a button and the clothes change color.

The fact that the clothes change color with one press of a button seems to suggest that this function was already programmed into the machinery. The humans were not excercising free choice, or even following orders, since orders can be disobeyed. Rather, the press of the button was a simple reaction mechanism, as that is what these humans are, the simplest of reactionaries that have succumbed to fate so much that they have even forgotten that such a concept exists, let alone that it is possible to influence it. The sugars and salts of their food substances please them, the voice of the omnipresent annoucements guides them, the pervasive visual stimulats lock them down and focus their perceptions, and their bodies are practically vegetative. They are the best kind of prisoners: totally ignorant and complacent. An interesting visual detail here is that the section of the Axiom that simulates a large outdoor pool resort has the BnL logo as an artificial Sun.

Corporate and consumerist symbols permeate the landscape. They block windows and sunlight and constantly pry peoples’ brains with base commands: Consume. Watch TV. Borrow Money. Be Complacent. Times Square in New York City is also filled with monstrous corporate ads that block windows to buildings. The landlords agree since it the ad companies compensate them with money. The tenants agree since their rent is lower than it would be otherwise. But they willfully live in darkness. That is Zion in a nutshell.

National Socialist Germany was in complete opposition to this. The Swastika emblem was seen everywhere on flags, banners, sculptures, uniforms, etc… However, it didn’t block, but rather pointed at the Sun. A wide boulevard with Swastikas is a cured blood vessel of civilization that is rid of its previous consumerist cancer and clots.

The huge fleet of robots aboard the Axiom shows signs that they are like Wall-E in that they appear to have personalities and are thus also metaphors, as are the humans. The greatest prison is that of the mind and that is what all of these characters represent: sets of mind. The dutiful are represented as robots and it is their sense of duty that is used to trap them, in otherwords to keep them working, but their productivity is all channeled to the top of the pyramid and not to a folk. The hedonists are represented as the obese humans and it is their vice that is used to keep them trapped. A prison so fluid and varied is then used to simulate a convincing reality.

The computer that runs the Axiom is represented by Auto, which is an interesting metaphor in its own right. Its name, “Auto,” can refer to “autopilot,” however this autopilot decided to become the only pilot, which shows the danger of over-reliance on machines. Otto is a reference to the computer HAL from 2001 with the red light being the visual connection. Auto is motivated only by total control and has six points making him more than a subtle reference to Zionist obsessions.

There is another reference to Kubrick’s famous film as the Axiom’s human captain (obese like the rest) finally sees past his bubble and tries to stop Otto, which involves walking on his own two legs. In this scene, Thus Sprach Zarathustra plays, a piece that symbolized biological evolution in 2001, but here is symbolizes the struggle to abolish Zion. This scene is also the triumph of Original Nobility, since despite being conceived and nurtured in a hedonistic, materialist, artificial world, the Captain realizes his true calling: he turns into a real leader, a real captain, and actually takes charge.

Auto had monopolized his control over the systems of the Axiom. Every computer process is under the watch of his eye. Thus, when the Captain starts to fight Auto from outside the system, by taking his own steps, Auto becomes increasingly powerless – the monopoly that he imposed never predicted force from outside. Wall-E, too, does not and cannot manipulate or reprogram computers, but only work with his own two robotic hands and move on his treads. We soon see that authentic and determined struggle cannot be stopped, but this does not make it easy or even enjoyable.

Return to Arya
The film’s overall theme is a reversion back to an agrarian state of civilization. First, we see Wall-E as a robot bound to futile duty in a desolate world, this is the farthest progression of Zion. Second, we see the humans as goys bound to hedonism and too distracted to do anything, though it is possible to put up a fight in this field. Third, we see struggle and the overthrowing of a materialist, hedonistic prison. Then finally, we see the characters return to Earth and begin farming settlement. They are free from manipulation and begin a purposeful existence. Generations ago and back on the Axiom, Auto had a similar realization, but his purpose became “sustain” and this quickly turned into “keep enslaved” as that is the inevitable result of empirical thinking.

The revolution on the ship Axiom started with so much as a nudge, literally. When one of the hover chair riders fell off, due to Wall-E bumping into him, he suddenly realized that there is a world beyond his computer screen. The trick here is that if it wasn’t for further and more persistent effort from Wall-E, the people would have still been trapped on the Axion, albeit out of Auto’s reach for some, but presumably brief, time. The nudges must go on and on with persistence until a sensible goal is reached with complacency being an enemy. In this film, where everything falls into place nicely, that is just what happens. The man freed from the hover chair then nudges another rider and their hands touch and thus they realize that humans are not just on their computer screen.

The Captain also was nudged by a piqued curiosity and began to search the Axiom’s computer archive. Amidst an incredible mass of useless information, he found that life is possible in a completely different form. Wall-E, too, had a realization of a purposeful life when he first saw EVE. The relationship between Wall-E and EVE plays out like a typical boy-meets-girl romance, but it is right along the film’s major story arc of realizing purpose. In effect, the robots in the film willfully overcome their programming and go on to acheive something new and transcendent of their previous mundane existence.

Overall, this is a very apt elaboration and bringing up-to-date of Plato’s classic cave metaphor – once people stop seeing projections and start seeing the real thing, a serious phase of disbelief and disillusionment follows. When the truth is first seen, it is as blinding as one’s first glance towards the Sun. Along with the plant in the boot symbol of life and work, the film’s presents new forms containing eternal truths that our consumerist, materialist, survivalist and mere management orientated civilization has hidden or simply fallen ignorant of.

At the film’s conclusion, with everyone on Earth, the former goys march out of the Axiom and see the Sun for the first time with their own eyes. The walk on real land with their own two legs. They plant the first seed of their new folkdom. The plant in the boot is akin to the NSDAP concept of Blut un Boden – Blood and Soil, which was symbolized in the Odal Rune. The humans and the robots are not goys anymore, the work that they will do now will be service to their new folk.

“A solid stock of small and medium farmers has at all times been the best protection which a nation could have against the social diseases that are prevalent today. Moreover, that is the only solution which guarantees the daily bread of a nation within the framework of its domestic national economy.

With this condition once guaranteed, industry and commerce would retire from the unhealthy position of foremost importance which they hold today and would take their due place within the general scheme of national economy, adjusting the balance between demand and supply. Thus, industry and commerce would no longer constitute the basis of the national subsistence, but would be auxiliary institutions.

By fulfilling their proper function, which is to adjust the balance between national production and national consumption, they render the national subsistence more or less independent of foreign countries and thus assure the freedom and independence of the nation, especially at critical junctures in its history.” ~Adolf Hitler, Mein Kampf

Related Information:
Odal Rune & Aryan Law – Siddharreich articles

Supernanny: The Way of the Gulag

Written by Anthony

One of the best examples highlighting Aryanist complaints about childcare is the TV series, Supernanny, in which families with children who have ‘behavioural problems’ use the services of the ‘Supernanny’ to bring their children into line. Note that we disagree with the term ‘behavioural problems’, seeing such behaviour as a justified protest. Whatever the underlying problem behind the child’s displeasure may be – poverty, overcrowded conditions (which is typical of our society – see the section on demographics), emotional coldness from parents, parental conflict, bullying at school – the child is justified in protesting against these conditions, and against being brought into a world rife with suffering involuntary. It is outrageous for parents to commit this act of violence, then complain that their child’s behaviour is an inconvenience to them. The Supernanny does try to solve the underlying issues during the course of each episode, but crucially, she also demands the child’s obedience and pacification whether she succeeds or not. This is ignoble both because it encourages passive reliance on authority rather than personal responsibility and heroism (relevant also to the section on religion) and because, like the communist, the child is basically being encouraged to sacrifice its dignity and autonomy to work towards a ‘coming utopia’. This lie is frequently spread by Jews, and is present in Judaeo-Christianity, which teaches that servility on Earth secures a place in Heaven. Failure to abide by the Supernanny’s rules results in being sent to the ‘naughty step’, where the child must ‘think about what they have done’ or, in more honest terms, accept that lack of obedience will lead to further punishment. Allowing someone to ‘think about something’ but only permitting them to come to one conclusion reflects how the idea of freedom is perverted in both democratic and communist societies. In the gulags of Soviet Russia, people were supposedly re-educated in an atmosphere of free enquiry, but it is clear that only one conclusion could be tolerated. In the West, academics ‘study’ the works of Hitler, but only one conclusion is acceptable. We impose limits on freedom of thought, but at least we are honest about these limits, unlike our enemies.

Ideas like the naughty step brainwash the child into believing in false concepts like ‘justice’ which, unless it achieves an objection other than to punish the offender (such as genuine, non-servile rehabilitation), the sole purpose of punishment being to satisfy the victim’s irrational, base instincts and hide the ugliness of reality from them, is just another word for ‘revenge’. There is no place for ‘an eye for an eye’ in Aryanist society. If a person were serious about feeling compassion towards other people, they would not endorse an idea that increases the suffering of one person (the offender) without alleviating the suffering of others. It is a plain contradiction. Finally, the idea endorsed by the Supernanny, that we should love the people who punish us and restrict our freedom, is perverse. Jesus himself said ‘If any of you come to me and do not hate your father and mother… you cannot be my disciple’. The French philosopher Foucault once said that Fascism and National Socialism come from a desire to become the very thing that dominates us, our parents, but from this page, you can see that in fact National Socialism agrees that love of the thing that enslaves us is perverse, and this is just another example of the shallow treatment of National Socialism by the Western powers, of the ‘inevitable conclusions’ they come to.

But enough of theory. Here are some quotes and events from only one episode of Supernanny, with commentary. You can decide whether my theory fits and whether I am right:

‘Meet the youngest teenagers in town. They eat what they like, go to bed when they like…’
Why should adults be more qualified than the children in question in deciding how much to eat and when to go to bed? A baby cries when it is hungry, and the adult feeds it. A child eats when it is hungry, because its body is telling it that it needs food. The body tends to be good at sending the correct signals and maintain itself – it was built to survive and the human form has lasted for thousands in years, even in the harshness of nature. There are many cases, of course, of children wanting to do things like eat ice-cream for dinner, and gorge on it until they can eat no more, but why not let them, so they can learn from their mistakes? Adults pick up all kinds of nasty habits in later life, including this kind of gluttony. Perhaps if they had not been held back from the opportunity to indulge their desires for so long, but got over them quickly and been allowed greater experimentation, they would not feel compelled to do so.

Likewise, children tend to fall asleep when it is healthy for them to do so. I would argue that if a child does not want to sleep, they have not had enough exercise that day, something which is disturbingly common in this age of city apartment blocks and endless school-work. In NS Germany, it was mandatory that children join state-controlled organisations like the Hitler Youth, where they exercised and took part in wholesome activities, without the boredom that might lead them to gorge on ice-cream until they vomited. Maybe the obligatory membership was not so much to force children to join, but to prevent their short-sighted parents and teachers from preventing them from doing so.

The Supernanny might raise these kinds of points and spread awareness on healthier lifestyles and institutions that could benefit children, or education reform. But she does not.

‘The children have an answer to everything.’
This is a common cliche, but what does it actually mean? So many negative ideas are bound up in this utterance: the idea that children should not question authority, the idea that power trumps reason, the idea that children must always be obedient. Earlier, I said that children are uncorrupted, with none of their instincts having yet been brought out of tune, no false ideas and lies having been sown into their minds, giving them an unblemished perception of reality (they lack knowledge, but they also lack misinformation), and hence can be trusted to choose what to eat and when to go to bed. Now, I also add that if they question something, the adult should not adopt a haughty arrogance, but wonder whether this question is justified, and whether the child’s unspoilt view of the world has noticed an absurdity that has slipped past the adult mind, which operates on lies accumulated over decades, and has been twisted by negative experiences and despair. The idea that the child’s mind is uncorrupted and that corruption occurs over time is called ‘Original Nobility’ – an Aryanist answer to both the theological concept of Original Sin and to the secular Myth of Progress. Jesus said that whoever wants to know the place of life should not hesitate to ask a child of 7 years old, and there are many cultures holding that children have a divine status, such as the Inca of South America. It is only by believing in Original Nobility that we will be able to make real progress, sorting that the mess the Jews and Gentiles have made and returning things to their original purity.

Part II

Related Information:
My Neighbor Totoro – Original Nobility as seen in film